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Stealing from the household (con't.)

Finally, Praxagora, apostrophizing to the lamp in the opening scene of the Ecclesiazusae, praises it as a trustworthy helper when women are trying "to raid the cellars for their store of fruit and bubbles of Bacchus." It is unclear here whether the purloined goodies are to be enjoyed by the woman herself or shared but, given the sexual content of the immediately preceding section, the latter seems more likely. The conjunction here again of stolen food and illicit sex is striking. The idea that women are indulging in all possible sensual delights on the sly at one time - something which the male audience members would have liked to have done themselves, although they wouldn't have bothered with the secrecy - functions for the audience both as a kind of wish-fulfillment through identification and paranoid fantasy.

Just as in the Lysistrata, this description of theft and craftiness begins to prepare the audience for the theft of political power that is to come. Also noteworthy is the fact that the women in the Ecclesiazusae must steal their husbands' clothes, shoes and staves (the last item being significant in its role as a phallic symbol) in order to usurp political control. Unlike the women of the Lysistrata, who gain power through their sexual identity, the women of the Ecclesiazusae must steal a masculine identity and carefully suppress their own in order to get what they want. They even go so far as to rehearse being men in an assembly;5 a great device for making gender-bending jokes, especially given that all the actors are men pretending to be women pretending to be men.

What I hope these few examples make clear is that the opening quote from Gardner does not lack for proof. The idea that someone else - be it a wife or her lover --was getting more than their fair share through theft was a serious concern. That the cupboard doors are locked within the locked gynaikonitis (see Eva Keuls discussion of this in The Reign of the Phallus, p. 108 ff.) beautifully demonstrates how Athenian men believed that they could not trust outsiders to stay out or insiders to keep what was inside intact. Given the background of importing a stranger-wife, this basic mistrustfulness must have, in some cases, become a nightmare of suspicion for all involved.

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