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Stealing from the Household

Jane Gardner describes the Athenian polis as being "made up of discrete competing units, the oikoi, . . . [which] were constantly watching each other to make sure that no one tried to get more than a fair share - and constantly trying to get it for themselves."2 In such an atmosphere, it is easy to imagine the suspicion that might pervade all relations between oikoi and even those relations within it. One concern of the paranoid husband would be guarding the household goods. The sticky-fingered slave is a ubiquitous type in comedy, but Aristophanes adds the concept of the thieving wife who steals for a different reason: to share the food with her lover.

Although accusations of theft of the household goods do not loom as large in the Lysistrata as do other issues, it is telling that, as Gardner points out, in the first few lines of the play, Lysistrata remarks that men believe women to be "clever villains." The reference here is ironic since Lysistrata is lamenting that women are not, in fact, cleverly villainous enough to sneak out of the house in a timely manner to attend her meeting to coordinate the sex strike. This opening scene is quite reminiscent of Dikaiopolis' first appearance in the Acharnians and Praxagora's in the Ecclesiazusae; apparently Aristophanes thought punctuality to be a problem for both genders. It is significant, however, to have a woman complaining about members of her own sex in these terms. She is laying the groundwork for the "bad behavior" of the women in the rest of the play and their ultimate theft of political power.

The most elaborated example of the suspected propensity of wives to steal from their husbands occurs in the Thesmophoriazusae during the speech of the First Woman who brings charges against Euripides. As you recall, in the Thesmophoriazusae, Euripides has been informed of a plot that is afoot among women against him. Euripides forces his relative Mnesilochus to dress in drag in order to infiltrate the women's meeting and to speak on his behalf. The First Woman complains that, not only has Euripides made men so suspicious that they lock women into the women's quarters, they also seal the cupboards in the house with seals which can't be duplicated.3 It is unclear from this reference what the women in the play intend to do with the goods if they could get them; perhaps they are sneaking a little something extra or perhaps they are legitimately griping that they can't get to items which they need.

Another line, this time from the mouth of Mnesilochus, Euripides' mole, casts light on the First Woman's complaint: while cataloging the supposed tricks of women which Euripides hasn't revealed, Mnesilochus describes how the women give meat to their pimps and then claim that the cat has eaten it.4 This clearly takes the theft of household goods out of the category of harmless "shoplifting" and puts it into the realm of oikos-threatening sexual activity. As we will see again below in the discussion of the Ecclesiazusae, theft by women in Aristophanes rarely occurs in a sexually innocent context. There seems to be an understanding that a woman who is willing to violate the oikos in one way will quickly find other ways to compound her offense.

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Inside Connection

Complementary Resources

CTCWeb Resources
Netshot: Aristophanes' Lysistrata

Thetis: Protective Mother or Dominated Wife?

Connections between Ancient Greek Theater & Religion

Knowledge Builders
Dress & Costume, Hera and more.

Teachers' Companions
Hera, Dress & Costume and more.

Other Resources
Perseus Historical Overview "Women and the Household"

Aristophanes' Acharnians (English translation)

Perseus Historical Overview "The Humor and Plots of Athenian Comedy"

Global Glossary Terms
- oikos
- Aristophanes
- Lysistrata
- prologue
- Euripides
- diadem

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